It's a Disgrace

When we were kids, my sister and I were fans of Tomie dePaola’s Strega Nona. Who wasn’t back then? Back in the freewheelin’ '70s. Back before the conservative movement had launched its Inquisition to purge children’s literature of anything that might not be in step with its radical Christian fundamentalism. Back before even Strega Nona came under scrutiny. The book had just won a Caldecott Medal and had quickly become a beloved classic of children’s libraries across America. Of course, I had extra reason to be on board—Strega Nona’s assistant was a guy who went by the name of Big Anthony. Cool handle, right?

fig. a: Nona & Tony

Anyway, recently I found myself thinking about good ole Strega Nona and her witchy ways again for the first time in ages when I came across a tantalizing, revelatory recipe. Why Strega Nona?

fig. b: Nona knows best

Well, it had something to do with the fact that it was a pasta dish that came with a “colourful” Southern Italian name, not unlike Strega Nona (basically “Grandma Witch”). Plus, you don’t need spells or a magic pasta pot to make it, but the dish is rather magical.

The recipe in question was for Rigatoni alla Disgraziata—”the poor wretch’s rigatoni.” (You’ll notice that, as they always are, this pasta dish is gendered feminine, so the “poor wretch” in question is a woman. That didn’t stop me from identifying with her. I mean, Big Anthony didn’t have any hesitations about hanging out with Strega Nona, did he?) The dish is a classic of the Sicilian repertoire, but I’d be surprised if variations aren’t also found in other parts of Southern Italy (like Calabria, Strega Nona’s home region), because it’s basically a simple, honest, and satisfying eggplant pasta dish, a “peasant’s dish,” a prime example of cucina povera. This particular version involves some cheese, but the breadcrumbs that are essential to its preparation would often be used as a substitute for cheese in poorer households. The two vegetables necessary to make the dish are eggplant and tomatoes, staples that virtually every Sicilian family would have had on hand (or would have easily been able to access, one way or another).

fig. c: eggplant & tomatoes

Use the best eggplants and tomatoes you can find—preferably out of your own garden—but the bottom line is this is cucina povera—the cuisine of the poor and of the frugal—use what you have. In my case, I found some gorgeous organic eggplant at the market, but I wasn’t so lucky with tomatoes, so I made do with canned ones.

And while the recipe that I used as a model was for rigatoni, I substituted in busiata instead, because that’s what I had on hand, because they hail from Sicily (Trapani and environs in Western Siciliy, to be specific, where they’re often used to make Busiate alla Trapanese), and because their worm-like shape seemed appropriate to the dish in question (and ideal for the lead-up to Hallowe’en).

figs. d & e: Busiata di Sicilia

My source was a beaten-up old copy of Saveur Cooks Authentic Italian (2001), from the heyday of the beloved magazine. It’s amazing what turns up again when you move, as I did recently, and it’s amazing how well a good cookbook (just like a good children’s book) stands the test of time. Now that my knowledge of Italian cuisine has expanded, now that I’ve spent a little bit more time in Italy, this collection of recipes seems even more vital than it did in the early 2000s. Its cucina povera game was always strong, however, something which was a distinct bonus back when I was a graduate student and which always endeared me to it. Why I’d never tried making Rigatoni alla Disgraziata is a mystery to me.

The technique that’s featured here and that I found “revelatory” is a simple one for preparing eggplant. Eggplant is famously difficult for so many home cooks who don’t come from a tradition of preparing, consuming, and enjoying eggplant. Sure, you’ve read that certain eggplant dishes are considered the pinnacle of vegetable cookery throughout the the Mediterranean region and beyond, but the issue of even choosing nice eggplants can be daunting for many, let alone transforming them into something majestic. And god knows improperly cooked eggplant is a horror.

In this case, I started with Japanese-style eggplants, which are often a safer bet than larger globe eggplants because they’re less seedy and they cook up quicker. The fact that these were local and organic and that I had great faith in the farm that raised them made them an even better bet.

Cubing the eggplants, generously salting and tossing the cubes in a colander, and allowing them to “sweat” for an hour or so is a standard method for removing the bitterness of untreated eggplant. Many recipes that involve Japanese eggplant don’t call for this step, but you still may want to go this route just to be sure (I did).

But the genius of the recipe has to do with pan-frying the eggplant in a generous amount of olive oil before it gets anywhere near a sauce. The idea is to transform the cubes into golden little jewels of flavour that are lightly crispy on the outside and positively melty inside. By the time this step is completed, the eggplant is already delicious, but it’s ready to become even more so when tossed with your sauce, your pasta, and your cheese.

This technique is useful in a wide range of contexts and recipes. For instance, Michelle has been using a variation on this technique (she chops the eggplants differently and cooks them in a different type of oil) for some of her Japanese dishes for years. Like I said, once you’ve prepared the eggplant in this manner and seasoned them, they’re already delicious, anything else you do to them is extra.

But in this case, the eggplant formed the basis of a rustic pasta dish:

Busiate alla Disgraziata

3-5 small Japanese eggplants, or 2 medium globe eggplants, trimmed and cut into cubes

Kosher salt

1/2 cup plus 2 tbsp extra-virgin olive oil

1 cup fresh bread crumbs

1 lb busiata or rigatoni

1/4 tsp red pepper flakes

2 cups tomato sauce, preferably homemade

1/4 cup grated pecorino or ricotta salata

freshly grated Pamegiano-Reggiano

Put the eggplant in a colander, sprinkle liberally with salt, and toss to coat well. Allow to drain for 1 hour to “sweat” and extract bitterness. Rinse the eggplant and pat dry with a clean kitchen towel or paper towel.

Heat 2 tbsp of olive oil in a large, heavy skillet (I used a 10” cast-iron one) over medium-high heat. Add bread crumbs and cook, stirring, until golden, about 2-3 minutes. Transfer to a bowl and set aside.

Wipe out the skillet with paper towel, add remaining 1/2 cup* olive oil, and re-heat over medium-high heat. Add half the eggplant and cook, stirring and flipping the cubes often, until golden, 8-10 minutes. Transfer eggplant with a slotted spoon to a large bowl and season to taste with salt. Repeat process with remaining eggplant.

Cook past in a large pot of boiling generously salted water until al dente. Add red pepper flakes to tomato sauce in a small pot and warm over medium heat, 4-5 minutes. Drain pasta in a colander and add to bowl with eggplant. Add tomato sauce, pecorino or ricotta salata, and bread crumbs and toss well.

Serve sprinkled with Parmigiano Reggiano, accompanied with a glass of red wine, some chili oil, and a green salad.

[Based very closely on a recipe from Saveur Cooks Authentic Italian (2001), by the Editors of Saveur Magazine]

The final product should look something like this:

fig. f: Busiate alla Disgraziata

I found it deeply satisfying, perfect for the late harvest season, and not a disgrace in the least. Quite the contrary. To me it’s quite beautiful, and I wish I had a magic pasta pot that was capable of producing vast quantities of this utterly delicious dish. But even more important is the magical transformation that is at the heart of this recipe, and that blesses it with heart. Like all great cucina povera—like all great “peasant food,” in general—it’s a dish that glories in creating “something” out of “nothing”—something wonderful.

Big Anthony

  • Note: the original recipe calls for 1 cup of olive oil. If you’re using an even larger skillet, you may need to use more olive oil than I did—up to 1 cup. But for a 10” skillet, I found 1/2 cup was ideal.

"Japanese Home Cooking" For a Year of Cooking at Home

Our good friend Joanna Fox has a timely rundown of great cookbooks from this past year in today’s Montreal Gazette, as contributed by a number of local Montreal chefs, food writers, and other tastemakers. Of course, this was a year when home cooking took on increased importance for so many people. Luckily, there were quite a number of new cookbooks that were released in 2020 to help inspire us, in addition to all the newspaper and magazines, the YouTube tutorials, the TikTok videos, the Instagram posts, and all the rest of our contemporary multi-platform culinary universe.

Joanna’s contributors include such luminaries as Meredith Erickson (Alpine Cooking: Recipes and Stories from Europe's Grand Mountaintops, Friuli Food and Wine: Frasca Cooking from Northern Italy's Mountains, the Joe Beef cookbooks, and others), Janice Tiefenbach (Elena), and Jonathan Cheung (Appetite for Books), as well as our very own Michelle (!).

If you’ve had any contact with Michelle over the last 8-9 months, her choice should come as no surprise. She first picked this book up from our local library late in the winter of 2020, and when the pandemic hit and the library was closed for weeks on end, the book was stuck with us for an indefinite length of time. We all got to know each other pretty well! And when the library reopened again, and they asked for all their books back, Michelle promptly made a point of returning this book to the library (what did you think?) and picking up her very own copy. Since then, she’s continued to cook from it with passion and abandon, and she’s talked about it at length with anyone who’ll listen, including Joanna, apparently. That book, of course, is Sonoko Sakai’s Japanese Home Cooking: Simple Meals, Authentic Flavors.

japanese home cooking.jpeg

Here’s what Michelle had to say about the book in her own words:

This is hands-down the book I have used the most in the past year. It hits the right tone of home cooking without shying away from more technical projects for those looking for a challenge. Every single thing I have made from this book has turned out perfectly. When I suddenly had reams of time, but no ability to focus, I threw myself into hand-making soba noodles. Her method and recipe are spot-on — all you need is practice to get the thickness and cutting right. (Check out her soba noodle-making webinars.) Bonus: the book features a recipe for rustic buckwheat dumplings (sobagaki), which are much easier to make than soba noodles and give you the same great taste when you use fresh sobakoh flour.

And here are some shots of Michelle making Sakai’s soba noodles for the first time, back in late March:

soba 1.jpeg
soba 2.jpeg
soba 3.jpeg

If you’re curious about the method, here it is in Michelle’s own words:


I had ordered specially milled buckwheat flour to make soba noodles before the madness began. My cutting leaves a lot to be desired but believe me when I say that this flour has a texture and flavour absolutely unparalleled by anything I have ever had. In case your self-isolation needs soba noodles, here is the recipe:

200g soba flour
50g all-purpose flour
120g water, more or less
Sift the flours together in a large bowl, add water and mix until dough starts to come together. Add a bit of water if necessary and knead until smooth. Lightly flour your work surface with tapioca starch and roll dough out to 1/8” thick. Sprinkle with more starch, fold, and cut into thin noodles. Not as easy as it sounds!

Boil in salted water about 1-2 minutes and rinse noodles with cold water. Serve.

[The soba flour in question came from Soba Canada, Inc. If you live in the United States, another phenomenal option is the “ni-hachi sobakoh” from Anson Mills.]

So, has Sonoko Sakai largely been responsible for eight or ninth months of particularly inspired Japanese home cooking? You tell me.

Long live the cookbook! Long live home cooking, Japanese and otherwise! Thank you for a great year, Sonoko!

And it should go without saying, but, if at all possible, please support your local bookstores in this period of economic crisis, stores like Appetite for Books, Drawn & Quarterly, and others.

aj

Bread & Tomatoes

 
fig. a:  Sunday morning loaves

fig. a: Sunday morning loaves

Semolina-Sesame Loaf

20% semolina (preferably semola rimacinata, an extra-fine “re-milled” or twice-milled Italian variety)

80% bread flour

15% levain

85% water

2.5% sea salt

3.0% toasted sesame seeds

fig. b:  levain landscape

fig. b: levain landscape

This semolina-sesame loaf has been my latest obsession over the last couple of weeks. It was inspired by the semolina loaves that were a specialty of some of the truly old-school Italian-American bakeries of New Jersey back in the day. For a while, I worked in a wine store in Northern Virginia that used to import dozens of loaves of bread from Jersey every Thursday. I got pretty hooked on the flavour at the time. Those loaves tended to have sesame seeds generously sprinkled on top. In this case, I put an especially generous amount of toasted sesame seeds inside the loaf.

Yesterday, I celebrated the arrival of my latest batch of semolina-sesame bread by making a somewhat old-school spaghetti dinner with lots of garlic and a couple of anchovies in the sauce. I wanted to have something that was saucy and savoury, something that would need some sopping up, something that was just begging for a freshly baked loaf of crusty bread.

This time of year, fresh tomatoes that have any flavour to them are a little hard to find, for reasons that should be obvious. Therefore, from the tail end of fall until the early days of summer, I tend to seek out the tastiest canned tomatoes I can find for many of my home cooking projects, including the making of tomato-based pasta sauces. Without being ridiculous, use the best tomatoes you can afford. Spending a few bucks on a can of tomatoes might seem extravagant to some, but, unless you grow your own, the best fresh tomatoes can also be pricey (rightfully so, in most cases), and a good can of tomatoes packs a lot of potential into its tight, tinned confines.

If you happen to be in the States, keep your eyes open for these sweet, delicious Stanislaus 74-40 tomato filets from California. (They’re worth buying for their anti-Brand X propaganda alone!).

fig. c: 74-40 or bust!

fig. c: 74-40 or bust!

If you’re in Montreal, it’s nice to see that Bianco DiNapoli’s phenomenal canned tomatoes—also from California, but this time organic, too!—are readily available.

I like breaking open an extra-large can like the one you see above and then parceling its contents in a variety of ways for a variety of different projects, at least one of which will usually be a pasta sauce of some kind. The one I made yesterday was quick, easy, and super-satisfying:

Simple Umami-Rich Pasta Sauce

1 28-ounce can canned tomatoes (or equivalent), crushed by hand in a bowl

a generous glug of extra-virgin olive oil

1-2 oil-packed anchovies (preferably packed in olive oil)

1-2 medium to large cloves garlic, minced

1 generous pinch crushed chile flakes

salt to taste

Heat your olive oil over medium-low heat. When your olive oil is warm, add the anchovies and stir with spoon until they have broken down and melded with the olive oil. Add the chile flakes and cook 15-30 seconds, until aromatic. Add the garlic and cook for another 15-30 seconds, until the garlic becomes aromatic and it takes on a hint of golden colour. Add the tomatoes with all their juices and simmer for 20-30 minutes over low heat. Season to taste with salt before serving.

Serve over spaghetti, with freshly grated Parmesan, some garlicky homemade breadcrumbs (if you got ‘em!), and some freshly torn basil leaves.

When you serve this sauce with pasta, don’t be stingy. There should be a little sauce left in the bottom of the bowl that’s calling out for a crusty bread.

Of course, crust isn’t everything. There’s also something to be said for structure, and for a tender, flavourful crumb, like these two specimens:

fig. d:  semolina-sesame crumb #1

fig. d: semolina-sesame crumb #1

fig. e:  semolina-sesame crumb #2

fig. e: semolina-sesame crumb #2

Using semola rimacinata instead of standard semolina is one of the big reasons the crumb on this loaf is particularly tender and fine. Plus, semola rimacinata is a great product to have around the house—it’s fantastic for making homemade pasta.

Anyway, although they’re hard to see, there’s plenty of flavour-packed toasted sesame seeds in this loaf, which only add to the taste sensation. I used to toast my sesame seeds myself, but it was a bit of a hassle, especially because sesame seeds are delicate and easily scorched if you don’t watch them carefully. These days I just buy large bags of Japanese toasted sesame seeds—we use them all the time when we cook Japanese dishes, and they’re perfect for bread baking.

This bread is delicious on its own, phenomenal with butter, and simply crazy with red sauce.

aj